Modern writers

Bibliography

on Ancient Greek dance by modern writers

– A –

Warren D. Anderson: Music and Musicians in Ancient Greece

C. Andresen: “Altchristliche Kritik am Tanz. Ein Ausschnitt aus dem Kampf der alten Kirche gegen heidnische Sitte” Zeitschrift für Kirchengeschichte 4th s. 10 (1961) 217-262.

– B –

Sheramy D. Bundrick: Music and image in classical Athens

C. Batteux: Précis de la danse ancienne et moderne, Paris, 1750.

Luigi Beschi: Education and the Art of Music

Luigi Beschi: Παιδια και μουσικη τεχνη

Erwin Bielefeld: “Ein boiotischer Tanzchor des 6 Jh. v. Chr.”. [ACR]

L. V. Borrelli: “Danza” in Enciclopedia dell’arte antica, classica e orientale 3 (Rome 1960) 5 8 (see other articles in the same dictionary).

E. Brandt: Gruss und Gebet. Eine Studie zu Gebärden in der minoisch mykenischen und frühgriechischen Kunst. Waldsassen, 1965.

L. Breitholtz: Die dorische Farce im griechischen Mutterland vor dem 5. Jahrhundert. Hypothese oder Realität. Uppsala, 1960.

J. N. Bremmer: “Greek maenadism reconsidered” in Zeitschrift für Papyrologie und Epigraphik 55 (1984) 267-286.

Michel Briand: «La danse et la philologie. A partir du mouvement strophique dans les scholies anciennes à Pindare» in Dialogues d’Histoire Ancienne 2, Presses Universitaires du France-Compté, 93-106  [ACR]

A. Brinck: Inscriptiones graecae ad choregiam pertinentes, Halle, 1886.

P. Brind’Amour: “L’origine des jeux séculaires” in W. Haase (ed.), Aufstieg und Niedergang der Römischen Welt vol. 16,2 (Berlin 1978) 1334-1417.

August Brinkmann: “Altgriechische Mädchenreigen” in Bonner Jahrbücher 130 (1925) 118-146.  [ACR]

F. Brommer: “Antike Tänze” in Archäologischer Anzeiger 1989, 483-494.

Christiane Bron: “The sword dance for Artemis” in The J. Paul Getty Museum Journal: Volume 24, 1996.

P. Bruneau : Recherches sur les cultes de Délos à l’époque hellénistique et à l’époque impériale. Paris, 1970.

Ulf Buchheld: What do we know for sure about “kordax”? Essay on the origin and execution of an ancient dance (translated by Anastasia Anastasopoulou).

P. J. Burette: “Premier et second mémoire pour servir à l’histoire de la danse des anciens”. Mémoires de l’Académie des Inscriptions et des Belles Letters 1 (1717) 121-176.

Ernst Buschor: Satyrtänze und frühes Drama. München, Bayerische Akademie der Wissenschaften, 1943.

– C –

L. de Cahusac: La danse ancienne et moderne, ou traité historique de la danse. Hague, 1754.

Claude Calame: Les choeurs de jeunes filles en Grèce archaique. Rome, 1977 (partial English translation, London 1997).

Jesús Carruesco: CHAPTER 4 Choral performance and geometric patterns in epic poetry and iconographic representations, pp. 69-107 (39 pages)

Vanessa Cazzato, André Lardinois: The Look of Lyric: Greek Song and the Visual: Studies in Archaic and Classical Greek Song, vol. 1

Angelos Chaniotis: Festivals and contests in the Greek world. Thesaurus Cultus et Rituum Antiquorum, vol. 7. Festivals and contests. J. Paul Getty Museum, 2012.

Paola Ceccarelli: La pirrica nell’antichità greco romana. Studi sulla danza armata. Università degli studi di Urbino, Pisa/Rome, 1998, 274 p.

Paola Ceccarelli: “Dance and deserts. An analysis of book fourteen,” in: D. Braund & J. Wilkins (ed.), Athenaeus and his world. Reading Greek culture in the Roman Empire (Exeter 2000) 272-291

Jette Christiansen & Torben Melander (ed.): Proceedings of the 3rd symposium on ancient Greek and related pottery. Copenhagen, 1987 (Copenhagen, 1988) 269-277.

C. Compan : Dictionnaire de la danse. Paris, 1787.

A. B. Cook: “Floating islands” in: Zeus. A study in ancient religion, vol. 3 (Cambridge, 1940) 975-1015.

Sachs, Curt: World history of the dance. New York, Norton, p. 237-245

– D –

Dance in Prehistoric Greece 

Marie-Hélène Delavaud-Roux: Les danses armées en Grèce antique. Aix-en-Provence, 1993.  [ACR]

Marie-Hélène Delavaud-Roux: Les danses pacifiques en Grèce antique. Aix-en-Provence, 1994.   [ACR]

Marie-Hélène Delavaud-Roux: Les danses dionysiaques en Grèce antique. Aix-en Provence, 1995.  [ACR]

Marie-Hélène Delavaud-Roux: Ancient Greek dance as therapy

Marie-Hélène Delavaud-Roux: Ancient Greek dance as therapy and Antiquity in the countemporaneous therapy dance

Marie-Hélène Delavaud-Roux: Comparison between dionysiac female dance in ancient Greece and dervishes’ ceremony from Middle Ages to nowadays in Turkey

Marie-Hélène Delavaud-Roux: Danses féminines, espace de liberté ou de contraintes ? L’exemple des danses initiatiques pour Artémis en Grèce antique

Marie-Hélène Delavaud-Roux: Greek dances of Antiquity recreated by Maurice Racol

Marie-Hélène Delavaud-Roux (ed.): Musiques et danses dans l’Antiquité. Rennes, Presses Universitaires, 2011, 326 p.   [ACR]

Marie-Hélène Delavaud-Roux: More than movement : the use of voice in ancient Greek dance

Marie-Hélène Delavaud-Roux: Promotion of diversity in the choreography : an original dance, using voice and mask, in the beginning of the parodos of Euripides’Bacchaeparodos of Euripides’Bacchae

Marie-Hélène Delavaud-Roux: «Perspectives d’avenir. Une préparation originale au mariage: la “géranos”». Amadis, 5, 2003, Perspectives d’avenir, p. 19-36.

Marie-Hélène Delavaud-Roux: Recherches sur la danse dans l’Antiquité Grecque. Thèse de doctorat. Université d’Aix-Marseille, 1991, 3 volumes, 831 p. [ACR]

Marie-Hélène Delavaud-Roux: The beginning of an original dance in ancient greek comedy : the frogs who wanted to become swans  (Aristophanes Frogs 209-220)

Marie-Hélène Delavaud-Roux: Using Greek Folk Dances for the Reconstruction of Ancient Greek Dances

Marie-Hélène Delavaud-Roux: War-dances in Ancient Greece. Conference “Dance and Ancient Greece”, Dora Stratou Dance Theatre, Athens, 4-8 September 1991.

G. Desrat : Dictionnaire de la danse, historique, théorique, pratique et bibliographique, Paris, 1895 (reprint Hildesheim 1977).

E.R. Dodds: “Maenadism in the Bacchae” in Harvard Theological Review 33 (1940) 155-176 (partly reprinted in Dodds, The Greeks and the irrational, Berkeley 1951)

– E –

Stamatia Eleftheratou et al. (ed.): Acropolis Museum guide. Athens, 2017, 323 p. [ACR]

Maurice Emmanuel: De saltationis disciplina apud Graecos. Paris, 1895.

Maurice Emmanuel: Essai sur l’orchestique grecque. Paris, 1895 (reprint Amsterdam 1971).

Emmanuel, Maurice: La danse grecque antique d’après les monuments figurés. Genève, Slatkine Reprints, 1967 (1896).  [ACR]

Maurice Emmanuel: Ancient Greek dance. New York/London, 1916.  [ACR]

– F –

Giulio Ferrario: La danza nell’Antica Grecia. Roma, Tinto Editore, 1928, 31 p.     [ACR]

S. Ferri: “Choros kuklikos, Nuovi documenti archeologici e vecchia tradizione letteraria” in Rivista del Reale Instituto d’Archeologia e Storia dell’ Arte 3 (1931) 299-330.

Vincenzo Festa: Sikinnis. Storia di un’ antica danza. Napoli, Memoria alla Reale Academia di Napoli, Tipografia Cimmaruta dell’ Università 1915, 74 p. [ACR]

J.W. Fitton: “Greek dance” in Classical Quarterly 23 (1973) 254-274.

Georgia Franzius: Tänzer und Tänze in der archaischen Vasenmalerei. Göttingen, Göttingen, Universität zu Göttingen, Philos. Fak., Diss., 1973, 636 p.   [ACR]

H. Froning: Dithyrambos und Vasenmalerei in Athen. Würzburg, 1971.

– G –

Thrasybulos Georgiades: Der griechische Rhythmus. Musik, Reigen, Vers und Sprache. Hamburg, Schröder, 1949 (English translation New York 1956).

Thrasybulos Georgiades: Music und Rhythmus bei den Griechen. Germany, Rowohlt, 1958. [ACR]

P. Ghiron Bistagne: Recherches sur les acteurs dans la Grèce antique. Paris, 1976.

Laura Gianvittorio: A dance of death. Evidence about a tragic dance of mourning. In: Choreutika. Performing and theorising dance in ancient Greece. Roma, 2017.

Laura Gianvittorio: Introduction. Ancient dance as a research topic. In: Choreutika. Performing and theorising dance in ancient Greece. Roma, 2017.

Laura Gianvittorio (ed.): Choreutika. Performing and theorising dance in Ancient Greece. Pisa-Roma, Fabrizio Serra, 2017.

Alexandra Goulaki-Voutira: “Pyrrhic dance and female pyrrhic dancers,” RIdIM/RCMI Newsletter 21.1 (1996) 3-12.

L. Grasberger: Erziehung und Unterrricht im klassischen Altertum. Würzburg, 1864, 1880 (reprint Aalen, 1971).

A. Greifenhagen: Eine attische schwarzfigurige Vasengattung und die Darstellung des Komos im 6. Jahrhundert, Königsberg, 1929.

– H –

Hellenic Ministry of Culture: Gifts of the Muses. Echoes of music and dance from Ancient Greece. Exhibition catalogue (Υπουργείο Πολιτισμού : Μουσών Δώρα, μουσικοί και χορευτικοί απόηχοι από την Αρχαία Ελλάδα). Athens, 2004.  [ACR]

A. Henrichs: “Warum soll ich den tanzen?” Dionysisches im Chor der griechischen Tragödie, Stuttgart/Leipzig, 1996.

A. Henrichs: “Greek maenadism from Olympias to Messalina,” Harvard Studies in Classical Philology 82 (1978) 121-160.

J. Herington: Poetry into drama: early tragedy and the Greek poetic tradition. Berkeley, 1985.

H. Herter: Vom Dionysischen Tanz zum komischen Spiel. Die Anfänge der attischen Komödie, Iserlohn, 1947.

H. Heydemann: Verhüllte Tänzerin. Bronze im Museum zu Turin, Halle, 1879.

R. Hurschmann: “Askoliasmos,” in: Der Neue Pauly, vol. 2 (Stuttgart 1997) col. 100.

– J –

K. F. Johansen: Thésée et la danse à Délos. Etude herméneutique. Copenhagen, 1945.

– K –

K. G. Kahler: “Der Tanz im antiken Griechenland” in: Antike Welt, 3, 1974, p. 3-14.  [ACR]

Gayle Kassing: Ancient Greece, excerpt from: History of Dance.

Cornelia Isler-Kerényi: Dionysos in Archaic Greece. An understanding through images. Chapter two. Turning into a satyr: small vases from the first half of the 6th century BCE, pp. 17-64 (48 pages)

S. N. Khudekov: Istoriya tanchev, vol. 1, St. Petersburg, 1913.

J. H. Krause: Die Gymnastik und Agonistik der Hellenen, Leipzig, 1841.

F. Kolb: Agora und Theater, Volks  und Festversammlung. Berlin, 1981.

H. Koller: Die Mimesis in der Antike. Nachahmung, Darstellung, Ausdruck. Bern, 1954.

– L –

Voula Lambropoulou: Dances of masquers and the birth of theatre.

Voula Lampropoulou: Philosophy of the sexes (in Greek: ΛαμπροπούλουΒούλαΦιλοσοφία τωνφύλωνμέρος 2. Αθήνα, Πανεπιστήμιο Αθηνών, 1986. [ACR]

Charikleia Lanara-Voyatzi: On Dances. Gifts of the Muses. Echoes of Music and Dance from Ancient Greece Athens 2004, 86-91 p.

Charikleia Lanara-Voyatzi: Introduction to the book ‘Gifts of the Muses. Echoes of music and dance from Ancient Greece’.

John G. Landels: Music in Ancient Greece and Rome

Anna Lazou & Ioanna Mastora (ed.): Orchesis & Athletics. Essays of philosophy, history & education. Athens, Arnaoutis Books  [ACR]

Kurt Latte: De saltationibus Graecorum capita quinque. Giessen, A. Töpelmann (vormals J. Ricker) 1913 (reprint with corrigenda et addenda Berlin 1967).  [online text & pdf]

Lillian B. Lawler, The maenads: A contribution to the study of the dance in ancient Greece’ Memoirs of the American Academy in Rome 6 (1927) 69-112.

Lillian B. Lawler: Terpsichore: The Story of Dance in Ancient Greece. Dance Perspectives 13: 1962.

Lillian B. Lawler: The dance in ancient Greece. Middletown, Wesleyan University Press, (1964) 1978, 160 p.     [ACR]

Lillian B. Lawler: The dance in Ancient Greece (in Greek). Athens, 1984 [ACR]

Lillian B. Lawler: The dance of the ancient Greek theatre. Iowa City, 1964 (reprint Iowa 1974), 135 p.   [ACR]

Lillian B. Lawler: Ladles, tubs, and the Greek dance. American Journal of Philology, 71/1, 1950.

Lillian B. Lawler: Ορχησις φοβερά. 

Lillian B. Lawer: The dance of the ancient mariners. Transactions and Proceedings of the American Philological Association Vol. 75 (1944), pp. 20-33. 

Lillian B. Lawler: Four dances in the ‘Birds’ of Aristophanes. Transactions and Proceedings of the American Philological Association Vol. 73 (1942), pp. 58-63 

Lillian B. Lawler: Airein Maschalên and associated orchestic Schêmata. Transactions and Proceedings of the American Philological Association, Vol. 80 (1949), pp. 230-237. 

Lillian B. Lawler: A Lion among Ladies (Theocritus II, 66-68). Transactions and Proceedings of the American Philological Association, Vol. 78 (1947), pp. 88-98.

Lillian B. Lawler: “She could have danced all night-“. The Classical Outlook, Vol. 34, No. 5 (February, 1957), pp. 54-55.

Lillian B. Lawler: Phora, Schêma, Deixis in the Greek Dance. Transactions and Proceedings of the American Philological Association, Vol. 85 (1954), pp. 148-158

Lillian B. Lawler: Krêtikôs in the Greek Dance. Transactions and Proceedings of the American Philological Association, Vol. 82 (1951), pp. 62-70.

Lillian Brady Lawler: The Dance in Ancient Greece. In: The Classical Journal, Vol. 42, No. 6 (Mar., 1947), pp. 343-349.

S. H. Lonsdale: Dance and ritual play in Greek religion. Baltimore, 1993.

Lech Z. Niekrasz: Tropami antyku po Grecji. Warsaewa, Ksiazka I Wiedza, 2006. [ACR]

Graham Ley: Modern Visions of Greek Tragic Dancing, in Theatre Journal, Vol. 55, No. 3, Dance (Oct., 2003), pp. 467-480.

Rogiros Loizidis: Music and dance in ancient Sparta (in Greek). Nicosia, 1968.   [ACR]

– M –

Isacus I. Mackej: Orchestra sive de saltationibus veterum dissertatio. Uppsala, 1685.

Stella Mandalaki-Spanou: The dance in Minoan Crete

Stella Mandalaki: Dance in Prehistoric Greece. Gifts of the Muses. Echoes of Music and Dance from Ancient Greece. Athens 2004, 24-29 p.

Aldo Masella: La danza. Orme nel tempo. Balletto di Milano, 2009, 237 p.   [ACR]

Aldo Masella: Le radici della Danza. Appunti di storia. Milano, 2017, 126 p.   [ACR]

Aldo Masella: Storia della danza. Balletto di Milano, TuttoDanza, 2008, 224 p.    [ACR]

Joannes Meursius: Orchestra, sive de saltationibus veterum. Liber singularis. Leiden, 1618.   [ACR]

Sarah McCleave: Dance in context. Music & Letters, Vol. 82, No. 1 (Feb., 2001), pp. 79-88, Oxford University Press.

R. MacMullen: Paganism in the Roman Empire. New Haven, 1981.

S. Michaelides: The music of ancient Greece, an encyclopedia. London, 1978 (Greek translation

J. Miller: Measures of wisdom. The cosmic dance in classical and Christian antiquity. Toronto, 1986.

M. E. Molloy: Libanius and the dancers. Hildesheim, 1996.

W. Mullen: Choreia. Pindar and the dance, Princeton, 1982.

– N –

Frederick Naerebout & Αλκης Ράφτης: Joannes Meursius and his “Orchestra, sive de saltationibus veterum” of 1618. Μετάφραση: Γιάννης Κατσαντώνης.

Frederick G. Naerebout: “Text and images as sources for the study of dance in ancient Greece” in Pharos 3, 1995, 23-40.

Frederick G. Naerebout: Attractive performances. Ancient Greek dance. Three preliminary studies. Amsterdam, Gieben, 1997, 451 p.   [ACR]

Frederick G. Naerebout: La danza greca antica. Lecce, Manni, 2001. [ACR]

Frederick G. Naerbout & Alkis Raftis (ed.): Joannes Meursius and his “Orchestra, sive de saltationibus veterum” of 1618, the first monograph on ancient Greek dance since Antiquity. Athens, Dora Stratou Dance Theater, 2003, 85 p.    [ACR]

Frederick G. Naerebout: Dance, dancing, Greece and Rome. In: Bagnall R.S., Brodersen K., Champion C.B., Erskine A., Huebner S.R. (ed.) The Encyclopedia of Ancient History. Boston/Oxford: Wiley-Blackwell, 2012,  1924-1926. [online]

Frederick G. Naerebout: “Moving Events Dance at Public Events in the Ancient Greek World Thinking through its Implications”, in Ritual and Communication in the Graeco-Roman World, 37-67. [online]

Frederick G. Naerebout: Ο χορός στην Αρχαία Ελλάδα. Μια απόπειρα κατανόησης. Περιοδικό “Αρχαιολογία”, 90, Μάρτιος 2004, σελ. 8-14.

Jenifer Neils: Goddesses and Polis. The Panathenaic Festival in Ancient Athens. Princeton, University Press, 1992, p. 94-95.

Jennifer Neils: How a peplos is worn, in: Goddess and Polis. The Panathenaic Festival in Ancient Athens. Princeton, University Press, 1992, p. 110-111.

Annemarie Jannette Neubecker: Altgriechische Music

– P –

Zozi Papadopoulou: Hymning the Gods. Music in the public life of the Ancient Greek. Gifts of the Muses. Echoes of Music and Dance from Ancient Greece. Athens 2004, 46-67 p

Ζωζη Παπαδοπουλου: Υμνωντας τους Θεους. Μουσων Δωρα. Μουσικοι και χορευτικοι αποηχοι απο την αρχαια Ελλαδα. Αθηνα 2004, 46-67 p.

Pauly’s Real-Encyclopädie der classischen Altertumswissenschaft. Stuttgart, 1932. Tanzkunst, p. 2233-2247.

Arthur Wallace Pickard-Cambridge: The dramatic festivals of Athens. Oxford, 1968 (2nd ed. rev. by J. Gould & D. M. Lewis).

Arthur Wallace Pickard-Cambridge: Dithyramb, tragedy and comedy. Oxford, 1962 (2nd ed. rev. by T.B.L. Webster).

J. Poerner: De curetibus et corybantibus. Halle, 1913.

J.C. Poursat: “Les représentations de danse armée dans la céramique attique” in Bulletin de Correspondance Hellénique 92 (1968) 550-615.

Germaine Prudhommeau: La danse grecque antique. Paris, Centre National de la Recherche Scientifique, 1965, 2 volumes.   [ACR]

– R –

Alkis Raftis (ed): Dance and Ancient Greece, in Greek (Χορός και Αρχαία ΕλλάδαΠρακτικά 5ουΔιεθνούς Συνεδρίου). Athens, 1991.    [ACR]

Alkis Raftis:  Dance in Ancient Greece 

Alkis Raftis: Dance in Classical Greece. A Handbook

Alkis Raftis & Anna Lazou (ed.): Dance and Ancient Greece, in Greek (Χορός και ΑρχαίαΕλλάδα). Athens, 2002.   [ACR]

Alkis Raftis: Exhibits depicting dance at the National Archaeological Museum of Athens. Lecture notes.

L. Robert: “Pantomimen im griechischen Orient,” Hermes 65 (1930) 106-122 (reprinted in Opera minora selecta vol. 1, Amsterdam 1969)

Ervin Roos: Die tragische Orchestik im Zerrbild der altattischen Komödie. Stockholm, Wahlstrom & Widstrad, 1951.  [ACR]

Ervin Roos: “Grecia I,5: la danza,” in: Enciclopedia dello spettacolo vol. 5 (Rome 1958) 1678-1682.

– S –

Joseph Salathiel Tunison: The Sapphic stanza. A tentative study in Greek metrical, tonal and dancing art. USA, Granville, Ohio, University Press, 1896, 44p.   [ACR]

P. Scarpi: “La pyrriche o le armi della persuasione. Appunti per una semiologia storico religiosa e anthropologica,” Dialoghi di Archeologia, n.s. 1 (1979) 78-97.

H. Schnabel: Kordax. Archäologische Studien zur Geschichte eines antiken Tanzes und zum Ursprung der griechischen Komödie. Munich, 1910.

Otto Schneider & Riki Raab: Tanzlexikon der Gesellschafts….. Wien, Brüder Hollinek, 1985.

H. Schreckenberg: Drama. Vom Werden der griechischen Tragödie aus dem Tanz; eine philologische Untersuchung. Würzburg, 1960.

A. Seeberg: Corinthian komos vases. London, 1971.

Louis Séchan: “Saltatio,” in: Dictionnaire des antiquités grecques et romains, vol. 4 (Paris 1909) 1025-1054.

Louis Séchan: La danse grecque antique. Paris, E. de Boccard, 1930, 371 p. [ACR]  Texte complet sans images.

Louis Séchan: Opinion des grecs sur la danse. Son développement historique. In La danse grecque antique. Paris, Boccard, 1930, p. 35-56.

Louis Séchan: Caractères techniques de la danse grecque. Variétés des danses et leur classification. In La danse grecque antique. Paris, Boccard, 1930, p. 57-83.

Louis Séchan: Vin, ivresse et danse. In La danse grecque antique. Paris, Boccard, 1930, p. 252-253.

Louis Séchan: La danse pacifique religieuse. L’Emmélie et ses variétés. Danses voilées et danseuses Caryatides. In La danse grecque antique. Paris, Boccard, 1930, p. 115-150.

Louis Séchan: Ariadne. In La danse grecque antique. Paris, Boccard, 1930, p. 60-61.

Bernard Sergent: “Le sens d’une danse spartiate,” Dialogues d’histoire ancienne 19.2 (1993) 161-178.

C. Sittl: Die Gebärden der Griechen und Römer. Leipzig, 1890 (reprint Hildesheim, 1970).

Tyler Jo Smith: “Dances, drinks and dedications: the archaic komos in Laconia” in: W. G. Cavanagh & S. E. C. Walker (ed.), Sparta in Laconia. Proceedings of the 19th British Museum Classical Colloquium (London 1998) 75-81.

Tyler Jo Smith: “Dancing spaces and dining places: archaic komasts at the symposium,” in: G. R. Tsetskhaladze, A. J. N. W. Prag & A. M. Snodgrass (ed.), Periplous. Papers on archaeology presented to Sir John Boardman (London 2000) 309-319.

Tyler Jo Smith: “Komastai or ‘Hephaistoi’? Visions of comic parody In Archaic Greece. Bulletin of the Institute of Classical Studies, Vol. 52 (2009), pp. 69-92.  [ACR]

William Smith: Saltatio, in: A Dictionary of Greek and Roman Antiquities, John Murray, London, 1875.

C. Sourvinou-Inwood: Studies in girls’ transitions. Aspects of the Arkteia and age representation in Attic iconography. Athens, 1988.

84. Special issue of Arion 3.1 (1994-1995) (several articles)

IEStefanis: Διονυσιακοί τεχνίται: συμβολές στην προσωπογραφία του θεάτρου και της μουσικής των αρχαίων Ελλήνων. HeraklionUniversity Publications of Crete, 1988, 616 p.

F. Stoessl: Die Vorgeschichte des griechischen Theaters. Darmstadt, 1987.

V. Svetlov: “Istoricheskii ocherk’ drevnei khoregrafii,” in: Ezhegodnik’ Imperatorskikh’ Teatrov’ Sezon’ (St. Petersburg 1899 1900, 2nd supplement) 29 120.

David J. Symons: Costume of Ancient Greece. New York, Chelsea, 1987, 64 p.  [ACR]

David J Symons: Dress in the Archaic Period: The Eighth to Six Centuries. Costume of Ancient Greece. Costume Reference. Chelsea House Publisher. New York. 1987. 18-32 p.

– T –

Paul Thielscher: “Ein Blick auf die Reigentänze der griechischen Tragödie” in: Das Altertum 7 (1961), S. 3-19.

D. B. Thompson: “A bronze dancer from Alexandria”. American Journal of Archaeology 54 (1950) 371-385.

Renate Tölle: Frühgriechische Reigentänze. Stiftland, Waldsassen, 1964. [ACR]

Georgios Tsangaris: Dictionary of ancient Greek music and orchestic (in Greek: Τσαγκάρης, Γιώργος: Λεξικό της αρχαίας ελληνικής μουσικής και ορχηστρικής. Αθήνα, Κάκτος, 1999. [ACR]

Catherina Tsekoura (ed.): Dance in Antiquity (Ο χορός στην Αρχαιότητα) in Greek. Athens, Archaeologia 90, 2004. [ACR]

– V –

M. Vesterinen: “Communicative aspects of ancient Greek dance,” Arctos 31 (1997) 175-187.

– W –

B. Warnecke: “Tanzkunst” in: Realencyclopädie der classischen Altertumswissenschaft, 2nd s. vol. 4 (Stuttgart 1932) 2233-2247.

J. Weaver: An essay towards a history of dancing, London, 1712 (reprint London 1985, ed. by R. Ralph).

T. B. L. Webster: The Greek chorus. London, 1970.

T. B. L. Webster: Potter and patron in classical Athens. London, 1972.

M. Wegner: Das Musikleben der Griechen, Berlin, 1949.

M. Wegner: Musik und Tanz, Göttingen, 1968.

Fritz Weege: Der Tanz in der Antike. Halle/Saale, M. Niemeyer, 1926 (reprinted Hildesheim, G. Olms, 1976).

E. L. Wheeler: “Hoplomachia and Greek dances in arms” Greek, Roman and Byzantine Studies 23 (1982) 223-233.

Smith, William: Dance, from A dictionary of Greek and Roman
antiquities. London, John Murray, 1875.

Ronald F. Willetts: Cretan cults and festivals. London, Routledge, 1962, 362 p. [ACR]

P. Wilson: The Athenian institution of the khoregia. The chorus, the city and the stage. Cambridge, 2000.

N O T E S

  1. Full text of some of the above can be found at http://writings.orchesis-portal.org
  2. Books or articles marked [ACR] can be consulted at the library of the Dora Stratou Dance Theater in Athens, www.grdance.org
  3. For publications on the revival of Ancient Greek dance go to www.revival.orchesis-portal.org
  4. I will be grateful for the contribution of publications missing from the list above. Please feel free to send them to Alkis Raftis at mail@grdance.org

greek 

Texts in Greek – Κείμενα στα ελληνικά

Ulf Buchheld: Τι ξέρουμε σαφώς περί του κόρδακος; Δοκίμιο περί της προελεύσεως και της εκτελέσεως ενός χορού της αρχαιότητας.

Ulf Buchheld: What do we know for sure about “kordax”? Essay on the origin and execution of an ancient dance (translated by Anastasia Anastasopoulou). 

Marie-Hélène Delavaud-Roux: Οι ενόπλιοι χοροί στην Αρχαία Ελλάδα.

Εισαγωγή στο βιβλίο ‘Μουσών δώρα. Μουσικοί και χορευτικοί απόηχοι από την αρχαία Ελλάδα’. 

Υπουργείο Πολιτισμού : Μουσών Δώρα, μουσικοί και χορευτικοί απόηχοι από την Αρχαία Ελλάδα). Athens, 2004.  [ACR]

Λάζου, Αννα: “Orchesis. Το βιβλίο “Texts on ancient Greek dance”, Παράδοση και Τέχνη 076, σελ. 26-27, Αθήνα, Δ.Ο.Λ.Τ., Ιούλιος-Αύγουστoς 2004.

ΛαμπροπούλουΒούλαΦιλοσοφίατωνφύλωνμέρος 2. Αθήνα, Πανεπιστήμιο Αθηνών, 1986. [ACR]

Ρογήρος Λοϊζίδης: Η μουσική και ο χορός στην αρχαία Σπάρτη. Λευκωσία, Ραδιοφωνικό Ιδρυμα Κύπρου, 1968, 156 σελ

 Χαρίκλεια Λαναρά-Βογιατζή: Εισαγωγή στο βιβλίο ‘Μουσών δώρα. Μουσικοί και χορευτικοί απόηχοι από την αρχαία Ελλάδα’. Χαρίκλεια Λαναρά-Βογιατζή: 

Χαρικεια Λαναρα-Βογιατζη: Περι Χορων.  Μουσων Δωρα. Μουσικοι και χορευτικοι αποηχοι απο την αρχαια Ελλαδα. Αθηνα 2004, 86-91 p.

Ρογήρος Λοϊζίδης: Η μουσική και ο χορός στην αρχαία Σπάρτη. Λευκωσία, Ραδιοφωνικό Ιδρυμα Κύπρου, 1968, 156 σελ.

Στελλα Μανδαλακη: Ο χορος στον προιστορικο Ελλαδικο χωρο. Μουσων Δωρα. Μουσικοι και χορευτικοι αποηχοι απο την αρχαια Ελλαδα. Αθηνα 2004, 24-29 p.

Σόλων Μιχαηλίδης: Εγκυκλοπαίδεια της αρχαίας ελληνικής μουσικής. Αθήνα, ΜΙΕΤ, 1989). [ACR]

Ράφτης, Αλκης: “Ο αρχαίος ελληνικός χορός στην νεότερη βιβλιογραφία”, 5ο Διεθνές Συνέδριο για την Ερευνα του Χορού, 2/187-196. Αθήνα, ΔΟΛΤ, 1991. 

Ράφτης, Αλκης: “Εκθεση “Μουσών δώρα. Μουσικοί και χορευτικοί απόηχοι από την Αρχαία Ελλάδα””, Παράδοση και Τέχνη  077, σελ. 9-10, Αθήνα, Δ.Ο.Λ.Τ., Σεπτέμβριος-Οκτώριος 2004.

Ανώνυμος: Ο αρχαίος ελληνικός χορός. Η επίκαιρη ανάγκη για τη μελέτη της σημασίας και της ιστορίας του. Σημειώσεις. Πριν το 1994.